New research projects 2022! | AP School Of Arts

We are pleased to present the new research and PhD projects starting in September 2022 at the Royal Conservatoire Antwerp and the Royal Academy of Fine Arts Antwerp.

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One-year start projects:

Yanis Berrewaerts, ‘Look into my I's’ (Academy, promotor Janna Beck)
Giulia Cauti, ‘TRAUM (dream) + RAUM (space) = TRAUMA’ (Academy, promotor Myriam Van Gucht)
Lennert De Vroey, ‘Pondering/Theremin. Nostalgia and the art of traces’ (Conservatoire, promotor Peter Kolpa)
Louis Eeckhout, 'The European Quartet of Keith Jarrett. The Journey Home' (Conservatoire, promotor Piet Verbist)
Céline Mathieu, ‘Conditions for Raw Materials’ (Academy, promotor Thomas Crombez)
Xuanlin Wang, ‘Environmental consciousness hypothesis’ (Academy, promotor Els Dietvorst)

One-year research projects:

Hannah Aelvoet, ‘‘The roaring twenties’: origin and evolution of music modernism in the 1920s in Antwerp’ (Conservatoire, promotor Jan Dewilde)
Janna Beck, '&CO’ (Academy, promotor Michael Segers)
Marie-Sophie Beinke, ‘Belgium to Japan by foot’ (Academy, promotor Nico Dockx)
Isabelle Cordemans, ‘Tragedy and Levity: A Reconstructive Approach’ (Academy, promotor Inge Henneman)
Nicholas Cornia, 'HIP XIX&XX. Een digitaal platform voor historische uitvoeringspraktijk in de lange 19de eeuw' (Conservatoire)
Mathias Coppens, ‘Hybrid Score’ (Conservatoire, promotor Wim Henderickx)
Eline De Clercq, ‘The sympoiesis garden, ecology and art in a participative garden’ (Academy, promotor Roel Arkesteijn)
Max Greyson, 'De Woensdagen' (Conservatoire, promotor Nienke Reehorst)
Winnie Huang, ‘Creating the Artistic Identity’ (Conservatoire, promotor Jeroen Malaise & Ine Vanoeveren)
Yorgos Maraziotis, ‘Mythical Truths’ (Academy, promotor Nicolas Baeyens)
Tuur Marinus, ‘Friction & Tension: Weaving With Choreography’s Troubles’ (Conservatoire, promotor Annelies Van Assche)
Katja Mater, ‘Pas(s)Time’ (Academy, promotor Steven Humblet)
Mahmoud Saleh Mohammadi, ‘The significance, importance and possibilities of Participatory Art in multi-cultural and multi-social urban environment’ (Academy, promotor Kris van ‘t Hof)
Marijn Prakke, ‘Cripping the stage: from crip theory to crip practice’ (Conservatoire, promotor Peter Kolpa)
Evi Olde Rikkert, ‘On Tables’ (Academy, promotor Heide Hinrichs)
Magda Thielemans and Jan Staes, 'LAB (Lichamelijk Artistiek Bewustzijn)’ (Conservatoire)

Two-year research projects:

Paul Abbott, ‘WE GROW MUSIC! Ecologies of attention, discrepancy and multiplicity—real and imaginary—in embodied music performance’ (Conservatoire and Academy, promotors Kathleen Coessens and Nico Dockx)
Kurt Bertels, ‘Een saxofoonpionier in beeld: het uitvoeren van opdrachtwerken uit de vroege twintigste eeuw aan Sigurd Rascher’ (Conservatoire, promotor Yves Senden)
Edith Cassiers, ‘Play(s) of Féminitude. The role of female artists in Belgian theatre history 1830-1948’ (Conservatoire and Academy, promotor Clara Van den Broeck)
Jeroen Cluckers, ‘The Desert of the Real’ (Academy, promotor Kristof Timmerman)
Ewald Demeyere, ‘A Database of Schemata As a Starting Point For Historically Informed Improvisation and Composition’ (Conservatoire, promotor Yves Senden)
Simon De Paepe, ‘”C’est aussi beau que du Fauré.” August De Boeck’s orchestral songs rediscovered’ (Conservatoire, promotor Jan Dewilde)
Peter Lemmens, ‘What I'm talking about when I'm talking about Narrativity’ (Academy, promotor Kristof Timmerman)
Chiara Percivati, ‘Digital Tubes’ (Conservatoire, promotor Annelien Van Wauwe)
Anne Pustlauk, ‘Paris copy or independent school? Exploring the Belgian flute school in the Belle Époque’ (Conservatoire, promotor Peter Verhoyen and Aldo Baerten)
Dries Segers, ‘Ask your hands to know the things they hold’ (Academy, promotor Inge Henneman)
Bob Selderslaghs, ‘Professionalising the (teaching) artist through process drama performances’ (Conservatoire, promotor Annouk Van Moorsel)
Edu Tarín, ‘Cognitive Making. The recreation of procedures in the field of jewellery and gemstone cutting’ (Academy, promotor Tine De Ruysser)
Tine Van Aerschot, ‘Pamphilus, pamfilet, pamphlet’ (Conservatoire, promotor Edith Cassiers)
Giulia Vismara, ‘Temporary sonic architecture’ (Academy, promotor Kristof Timmerman)

Four-year PhD research projects:

Karin De Fleyt, 'Perspectives on time in the music by Stockhausen: the experience of a performer' (Conservatoire / ARIA-UAntwerp, promotors Kathleen Coessens and Steven Malliet)
Ilaria Lupo, 'The Mottolese Archive' (Academy / ARIA-UAntwerp, promotors Nico Dockx, Pascal Gielen and Nele Wynants)
Georgia Nikolaou, 'Moving towards Resilience: Joint creation through music and movement for local, refugee and immigrant children' (Conservatoire / ARIA-UAntwerp, promotors Luc Nijs and Peter van Peteghem)
Lauranne Paulissen, 'Intersecting repertoire: naar een inclusief, divers en representatief repertoire' (Conservatoire / ARIA-UAntwerp, promotors Edith Cassiers and Timmy De Laet)
Kristof Timmerman, ‘Sense of Wonder. Artistic portals between the real and the virtual’ (Academy / ARIA-UAntwerp, promotors Ine Vanoeveren and Jouke Verlinden)
Karel Tuytschaever, 'When the artist swallows his image' (Academy / ARIA-UAntwerp, promotors Inge Henneman and Annemie Leemans)

(Image: Dries Segers, ‘Ask your hands to know the things they hold’, detail)

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New research projects 2022

We are pleased to present the new research and PhD projects starting in September 2022 at the Royal Conservatoire Antwerp and the Royal Academy of Fine Arts Antwerp.

One-year start projects:

One-year research projects:

Two-year research projects:

Four-year PhD research projects:

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