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Thinking Tools

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Thinking Tools focuses on the concept of the technological apparatus. Through this notion, it investigates how some specific characteristics of photography, the first technical apparatus used in the context of art production, seeped into the wider field of visual art. Through the organisation of several symposia, publications, residencies and individual research trajectories of photographers and visual artists, the impact of ‘the photographic’ on the visual arts is intellectually and artistically examined.

For the definition of what constitutes a technical device, Thinking Tools leans heavily on the insights of the media philosopher Vilèm Flusser. Following his definition of the apparatus as a ‘black box’, we do not consider it as a simple transmission device that faithfully translates the maker’s intentions into a concrete artistic object, but as an autonomously operating partner that intervenes decisively in the production process. Another characteristic of the technical apparatus is that it works according to strict rules and procedures. Therefore, within the broad field of art, the influence of the technical apparatus manifests itself both in conceptual practices where artists are willingly submitting themselves to self-designed rules and in artistic practices that employ a mix of analogue and digital apparatuses. In summary, the experimental, artistic practices that the research group wishes to support are determined by the friction (or collision) between control and surrender, between the digital and the analogue, between old and new media.

In other words, the researchers within Thinking Tools operate in the field of tension between the (relative) autonomy of a technical apparatus, the unruliness of the material they work with, and the idiosyncrasy of an independent artistic position. The result of this multifaceted interaction, of this multiple authorship, is a polyphonic artistic object where different actors meet on an equal footing. The works these artist-researchers create are hybrid objects, determined by the friction between human and non-human (technical, algorithmic, chemical, operational) actors. By encouraging researchers to allow these non-human forces to actively and poetically intervene in the production process, we invite them to produce work in which new relationships to (and imaginings of) the world can take form.


Residencies@thinkingtools: Each academic year, the research group Thinking Tools invites two artist-researchers for an intense, short-term residency of three months.


Contact: Steven Humblet - steven.humblet@ap.be


More information: thinkingtools.art


 

(image Berit Schneidereit at the Tempel of the Academy)