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L’étranger
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Fenaroli's legacy
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Towards a theory of musical texture
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Present time composition
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The sources of the theatrical self
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In search of aural cinema
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The auditive imagination
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The actor of today and tomorrow
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The festival of classes
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De hiel van Kuifje
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Composition on location
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Arpeggio in baroque piano literature
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Of flesh and blood
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Context & perception in theatre
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An Equal Music
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Het drama van het drama
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Relevance of Ibsen
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Cadenza
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Horn plays
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From reproduction to narration
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ELECTRONICS ON STAGE
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‘Blanton the (r)evolutionary’: A contextualization of Jimmie Blanton’s Jazz Bass playing
Cultural work
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