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How the villain became a good example
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The Flemish Wave Revisited: Towards an intergenerational dialogue with dance heritage
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Meander: a field study in ecological writing
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Glimpses of elsewhere in the songs by Raymond Moulaert (1875-1962)
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theatrical co-creation with young people : from intuitive practice to shareable methodology
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The Sentimental Affirmation Summit. Paul van Ostaijen and musical modernism 1914-1930
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Parijse kopie of zelfstandige school? De Belgische Fluitopleiding vóór de belle époque.
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Performing Mesopotamian Magic
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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
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Whispers of the Primeval Forest
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The instrument(alist) maker: shaping artistic identities through instrument modification.
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Between Ego and Alter-Ego: avatars, cosplay and constructing identity
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Silence is Also a Sound: The Unseen Practices of Female Film Editors
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The Voice of Many Waters: Acoustemopoetic Composition of Carmelite Mysticism
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A resilient archive
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Teaching artistry: acting locally, sharing globally
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Living-Room
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Dialogue with the Sources
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Fluid Touch
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Untitled (Neural Networks)
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Beyond gaze: Establishing the language of touch in applied drama
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Photosynthetic Cookbook
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The Mega Playback Show
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The Balkan Frontier
Cultural work
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