We are pleased to present the new PhD and research projects starting in September 2023 at the Royal Conservatoire and the Royal Academy of Fine Arts Antwerp.
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One-year start projects:
- Remko Devroede, ‘Samen Maken - Op zoek naar artistieke strategieën voor een rechtvaardig sociaal en politiek handelen in een (interdisciplinaire) collectieve artistieke praxis’ (Conservatoire, promotor Sara De Roo)
- Anton Lambert, ‘Designing Digital Tools for Musical Improvisation: Live Electronics as a Vessel for Improvisatory Acousmatic Music’ (Conservatoire, promotor Frederik Leroux)
- Laure Severac, ‘Knitting the archive’ (Academy, promotor Nico Dockx)
- Denys Shantar, ‘God Save the Queers - The (not so) secret life of Saints’ (Academy, promotor Thomas Crombez)
- Lies Vandeburie, ‘Theater met ouderen: nooit te oud om een scène te maken’ (Conservatoire, promotor Peter Kolpa)
One-year research projects:
- Sophia Danae Vorvila, 'HARD TIMES GOOD TIMES: on discomfort, sublimation and movement' (Conservatoire and Academy, promotor Annouk Van Moorsel)
- Ode de Kort, ‘Exe-xe-xercising feedback loops’ (Academy, promotor Thomas Crombez)
- Francesco Del Conte, ‘The Chromatic Illusion within the Photographic Universe’ (Academy, promotor Steven Humblet)
- Philip Meersman & Kristof Overdulve, ‘Color of Language - Language of Color’ (Academy, promotor Janna Beck)
Two-year research projects:
- Phil Baber, ‘See What I Mean’ (Academy, promotors Johan Pas, Nico Dockx and Andrea di Serego Alighieri)
- Marc Bertel, title tbc (Academy, promotor Thomas Crombez)
- Giusy Caruso, ‘Encounters. Today’s music performance scene as a space of social and phygital interaction’ (Conservatoire, promotor Umut Eldem)
- Miguelangel Clerc Parada, ‘Problematizing Interdisciplinary Performance Through Noise’ (Conservatoire and Academy, promotor Kathleen Coessens)
- Nicholas Cornia, ‘FAAM: Flemish Archive for Annotated Music’ (Conservatoire, promotor Dago Sondervan)
- Eline De Clercq, ‘Making Sense’ (Academy, promotor Roel Arkesteijn)
- Anna Godzina, ‘Sonifying Landscapes’ (Academy, promotor Roel Arkesteijn)
- Spiros Hadjidjanos, ‘Virtual Matter’ (Academy, promotor Steven Humblet)
- Jeroen Malaise, ‘Fantasia’ (Conservatoire, promotor Piet Kuijken)
- Nik Naudts, ‘De (on)bewoonbare stad’ (Academy, promotor Nico Dockx)
- Gina Poortman & Annelise Cerchedean, ‘Pas de deux’ (Academy, promotor Kristof Timmerman)
- Marijn Prakke, ‘De wenselijkheid van verschil’ (Conservatoire, promotor Peter Kolpa)
- Johannes Westendorp, ‘Calling songs’ (Conservatoire, promotor Nico Couck)
- Adilia On-ying Yip, ‘ReSoXy: Re-sounding the xylophone collection of Royal Museum for Central Africa, Tervuren’ (Conservatoire, promotor Ludwig Albert)
Four-year PhD projects:
- Hannah Aelvoet, ‘Let’s speak art: de taal van Benoit’ (Conservatoire and ARIA/UAntwerp, promotors Jan Dewilde and Kevin Absillis)
- Anne-Lise Brevers, ‘Hyperwithin: a Shy Dramaturgy in Shadowtimes’ (Conservatoire and ARIA/UAntwerp, promotors Annouk Van Moorsel and Kyoko Iwaki)
- Vedran Kopljar, ‘PRACTICE: A METAPHOR - Metaphorizing practices and practicing metaphors’ (Academy and ARIA/UAntwerp, promotors Nico Dockx and Arthur Cools)
- Renata Lamenza Epifanio, ‘Corpo-gambiarra: dance, costume and politics of the body’ (Conservatoire/ Academy and ARIA/UAntwerp, promotors Kathleen Coessens and Pascal Gielen)
- Laurence Petrone, ‘Over de permanente wording van de beeldhouwkunst en de geschiedenis en de momenten waarop ze samenvallen’ (Academy and ARIA/UAntwerp, promotors Hans Theys and Herman Van Goethem)
(Image: Anna Godzina, 'Noetic', 2022)