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Auto-Destructive Composition: Erasure and Remains in Transient Posthuman Musics
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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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Engaging with Sonic Emergence: Cybernetics, Generative AI, and Distributed Agency in Posthuman Music
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Expanding Conducting Practice through Posthuman Assemblage and Artificial Intelligence
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The Double Bass as Algorithmic Improvisation System
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The Embodied Interface: Assembling Alife systems for musical performance
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Echoes of Heritage: Intercultural music exchange through network music co-creation
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Sensing Together: Co-Creative Strategies for Multisensory Musical Composition with Sensory Impairment Communities
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Arbitrary Intelligence: Imperceptible Forms and Extended Musical Coherence in Computer Music
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RAMEAU(x) — Improvising New Branches of Rameau’s music
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Silence, Vibrations & Noise Artistic Research into Co-Creation in Contemporary Compositional Practice
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Intuitive Composing in Jazz: Integrating Embodiment and Technology in the Compositional Process
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Ghostly Dramaturgies: Staging Migrant Narratives through Immersive Technology in Performance
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Entangled Rawness: navigating nonlinear creativity through the no-input mixer
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PercAI: A Generative AI Model for the West African Balafon Polyrhythm
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ECHO - Embodied Counterpoint & Human-Machine Ontology. An exploration of AI training in piano performance and pedagogy
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Resonances between Movement/Dance and Contemporary Music: Transdisciplinary Interpretation Techniques and Methods
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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
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The instrument(alist) maker: shaping artistic identities through instrument modification.
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From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis
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The Voice of Many Waters: Acoustemopoetic Composition of Carmelite Mysticism
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ReSoXy: Re-sounding the xylophone collection of Royal Museum for Central Africa, Tervuren
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