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The Voice of Many Waters: Acoustemopoetic Composition of Carmelite Mysticism
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From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis
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Calling songs
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Designing Digital Tools for Musical Improvisation: Live Electronics as a Vessel for Improvisatory Acousmatic Music
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Encounters. Today’s music performance scene as a space of social and phygital interaction
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AI Musicking: Innovative Approaches to Musical Co-creation through Machine Learning
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ReSoXy: Re-sounding the xylophone collection of Royal Museum for Central Africa, Tervuren
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FANTASIA
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Creating the Artistic Identity
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Temporary Sonic Architecture
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Digital Tubes
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Hybrid Score
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THE ART OF PRELUDING (1760-1850)
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Sound Choreographies. Listening to dance
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Les Nymphéas digitales
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Speaking figures
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T*ActiLE: Technology and Action-led Experience in music performance
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Different Tubes
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Thinking Bodies in Dance. Somatic R.E.A.C.H. (research in electronic and algorithmic choreography)
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Anthony Braxton's Tricentric Thought Unit Construct in Post War Western Art Music
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100 jaar surrealisme
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Les doigts acrobatiques, la fantaisie libérée. The artistic playground in keyboard methods from the 19th century
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Contextual Conductor: Practical Case Studies and Presentations
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Flamencology