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Poverty; or, the new source of infinity. A Grotowski-inspired psycho-physical liberation from the musical score.
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Acting and normativity
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THE ART OF PRELUDING (1760-1850)
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A polyphonic conservatoire
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The Singer Inside Out
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100 jaar surrealisme
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Clarifying vocal jazz: from insight to practice
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Perversiteit in perspectief
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Contextual Conductor: Practical Case Studies and Presentations
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Resisting repertoire. Strategieën voor een grotere genderbalans in repertoiretheater
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Les doigts acrobatiques, la fantaisie libérée. The artistic playground in keyboard methods from the 19th century
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De vocale religieuze composities van de allievo Domenico Cimarosa als compositieparadigma
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Taal leren als performance, performance als taal leren
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The traditions of mandolin music in the regions of Crete and Athens
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Form and Material in Visual and Auditory Perception
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The Hearing Glass: Synaesthetic Correspondences in The Musical Practice
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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Possible spaces
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Redefining the Conductor’s Role in New Music
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Informed Phrasing
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Audiation-based Learning
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Fenaroli’s pedagogical output
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Bodies Of Knowledge
Cultural work
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