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Forgotten Flemish repertoire
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Opus V
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HOLOSCULPTURE
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From zero to void
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Jack Sels (1922-1970): 'The white negro of the docks'
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Beyond analogue and digital
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Painting in sounds
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Language study 0-3 year olds
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Relevance of Ibsen
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Cadenza
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Readability of the body
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Archive alive
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The skin of sculpture
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Pierre Suremont (1762-1831): a forgotten composer from Antwerp
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Mobile autonomy
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Antwerp art scenes in the 50s and 60s
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The voice as instrument / the instrument as voice
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Historical performance practice of post-war avant-garde music for guitar: documenting practical performer/composer/score relations
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Formation need Visual Arts
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Curriccula conservatories
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Physicality in the post-war repertoire for solo guitar
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Resumed encounters
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Chamber music of Paolo Litta
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Freedom Is Not Free