-
Gestures of withdrawal: dramaturgies of refusal in performing arts
-
God Save the Queer(s)
-
Performing the Public Body: Collectively Authored Participatory Performance, Democracy and Institutional Politics
-
Harlequin. Karel Albert, August Baeyens, Paul van Ostaijen and musical modernism in Flanders (1918-1928)
-
Vivid Tales
-
Personal Bubble
-
Otolitalgia : a visual exploration in the furrows of time
-
Landscapes of Recovery: The Role of Art in Ecological Restoration in War-Torn Ukraine
-
Whispers of the Primeval Forest
-
How the villain became a good example
-
The Flemish Wave Revisited: Towards an intergenerational dialogue with dance heritage
-
Meander: a field study in ecological writing
-
Glimpses of elsewhere in the songs by Raymond Moulaert (1875-1962)
-
theatrical co-creation with young people : from intuitive practice to shareable methodology
-
The Sentimental Affirmation Summit. Paul van Ostaijen and musical modernism 1914-1930
-
Parijse kopie of zelfstandige school? De Belgische Fluitopleiding vóór de belle époque.
-
Performing Mesopotamian Magic
-
Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
-
The instrument(alist) maker: shaping artistic identities through instrument modification.
-
Visions for Crossing
-
Towards Transdisciplinarity. Art & Technology Residencies
-
The Maternal Body: moving as more than one
-
Between Ego and Alter-Ego: avatars, cosplay and constructing identity
-
Silence is Also a Sound: The Unseen Practices of Female Film Editors