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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations

The instrument(alist) maker: shaping artistic identities through instrument modification.

Teaching artistry: acting locally, sharing globally

From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis

The Voice of Many Waters: Acoustemopoetic Composition of Carmelite Mysticism

Glimpses of elsewhere in the songs by Raymond Moulaert (1875-1962)

Hearing a Culture: Integrating Sound and Environmental Elements of Braga's Festivities into new compositions

Fair Games: Questions of Care in Curating New Music

Calling songs

ReSoXy: Re-sounding the xylophone collection of Royal Museum for Central Africa, Tervuren

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