After her first film Des Hommes (72', 2008), Khristine Gillard's research has focused on our relationships with our ecosystem, as seen in Miramen (22', 2011) and through her field work in Nicaragua - such as Cochihza (59', 2013) and The Minuscules (150', 2021), an epic of civic resistance against an extractivist megaproject. Always based on a documentary approach, her projects can also take the form of mixed-media installations, photograph etcs.
Khristine Gillard cofounded LABO Bxl, artist-run lab for research on celluloid (2006- ). In 2017, she led the research Forms of Documentary - Political Scope and Aesthetic Experience (Art/Recherche, ERG, Brussels). She has been a lecturer at ULB Faculty of Architecture and teaches in the Master Creative Documentary Filmmaking in Lussas Film School (France). Her work has been shown at international venues and festivals, including Visions du Réel, IFFR, Torino Film Festival, TIDF Taiwan, Punto de Vista, Festival Jean Rouch, Thessaloniki, MoMA, and FIDBA.