-
The Singer Inside Out
-
Living Equipment: Portable spaces
-
What to do with what you do? (Researching the textile archives of Richard Tuttle and Thomas Bayrle)
-
A polyphonic conservatoire
-
“The source is rock, the tongue is severed” - Word Spacing and the Alphabetisation of Silence
-
Connecting the Dots: Designing a unifying model for traditional and contemporary music performance practice
-
ÎNTERZONE (architecture of the ritual space)
-
CRAP! HET GEHEUGEN VAN DE AVANT-GARDE
-
Different Tubes
-
La Grande Bouffe – challenges in the performance of musical comedies
-
Towards Documentary Choreography. Intermedial Approaches in Working with Extra-Aesthetic Materials
-
The Philosophical Library Diotima
-
Resilience in Resonance
-
Embodiment in the performing arts. Research into inter-artistic vocabulary for Dance, Drama and Music
-
Relational Creativity. The workshop as a space to build technical, social and creative relations
-
Anthony Braxton's Tricentric Thought Unit Construct in Post War Western Art Music
-
The medium is the memory, the support the souvenir
-
100 years of surrealism
-
Thinking Bodies in Dance. Somatic R.E.A.C.H. (research in electronic and algorithmic choreography)
-
Dancing in the dark
-
'Plaude laetare’ (rejoice and sing): Zuid-Nederlandse kerkmuziek in de Gouden Eeuw
-
De vocale religieuze composities van de allievo Domenico Cimarosa als compositieparadigma
-
SOUNDVISION on stage
-
La Grande Bouffe – challenges in performing musical comedy