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On Tables
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The Desert of The Real
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‘C’est aussi beau que du Fauré.’ August De Boeck’s orchestral songs rediscovered
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Intersecting repertoire
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ANY BODY, MY SELF: CONCEPTUAL ART AND PERSONHOOD
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Conditions for Raw Materials
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Tragedy and Levity: A Reconstructive Approach
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Creating the Artistic Identity
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Play(s) of Féminitude. The role of female artists in Belgian theatre history 1830-1948
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Pas(s) Time
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Graphic Design of Scheld’apen
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When the artist swallows his image
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Moving towards Resilience: Joint creation through music and movement for local, refugee and immigrant children
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Cognitive Making. The recreation of procedures in the field of jewellery and gemstone cutting
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A Database of Schemata As a Starting Point For Historically Informed Improvisation and Composition
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Temporary Sonic Architecture
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The European Quartet of Keith Jarrett. The Journey Home
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Friction & Tension: Weaving With Choreography’s Troubles
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What I’m talking about when I’m talking about narrativity.
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Paris copy or independent school? Exploring the Belgian flute school in the Belle Époque.
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Pamphilus pamfilet pamflet
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Upcycling with Waste Reclaimers
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Drawing Resilient Futures
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Digital Mythologies