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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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In dialoog met sonische emergentie: cybernetica, generatieve AI en gedistribueerde agency in posthumane muziek
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De expansie van de dirigeerpraktijk via posthumane assemblage en artificiële intelligentie
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The Double Bass as Algorithmic Improvisation System
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The Embodied Interface: Assembling Alife systems for musical performance
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Echoes of Heritage: Intercultural music exchange through network music co-creation
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Sensing Together: Co-Creative Strategies for Multisensory Musical Composition with Sensory Impairment Communities
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Arbitraire intelligentie: Onwaarneembare vormen en uitgebreide muzikale coherentie in computermuziek
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RAMEAU(x) — Improvising New Branches of Rameau’s music
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Silence, Vibrations & Noise - Artistiek onderzoek naar co-creatie in hedendaagse compositiepraktijk
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Auto-Destructieve Compositie: Uitwissing en Overblijfselen in Vergankelijke Posthumane Muziek
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Spookachtige dramaturgieën: Migrantenverhalen vertellen via immersieve technologie in performance
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Entangled Rawness: navigeren door niet-lineaire creativiteit via de no-input mixer
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Intuïtief componeren in jazz: de integratie van belichaming en technologie in het compositieproces
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PercAI: A Generative AI Model for the West African Balafon Polyrhythm
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ECHO - Embodied Counterpoint & Human-Machine Ontology. An exploration of AI training in piano performance and pedagogy
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Resonances between Movement/Dance and Contemporary Music: Transdisciplinary Interpretation Techniques and Methods
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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
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The instrument(alist) maker: shaping artistic identities through instrument modification.
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De Stem van Vele Wateren: Acoustemopoëtische Compositie van Karmelitaanse Mystiek
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From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis
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FANTASIA
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Calling songs
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Designing Digital Tools for Musical Improvisation: Live Electronics as a Vessel for Improvisatory Acousmatic Music