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Benoit’s language
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Archival research Jef Geys
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Hyperwithin: a shy dramaturgy in shadowtimes
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On the Perpetual Becoming of Sculpture and History and Their Moments of Convergence
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Patricia Johanson: The World as a Work of Art. Selected Writings and Interviews
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Hydromedia
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Urban Travel Machines
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Studio Stadswaag
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Environmental consciousness hypothesis
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Belgium to Japan by foot
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Cripping the stage: from crip theory to crip practice
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Professionalising the (teaching) artist through process drama performances
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Perspectives on time in the music by Stockhausen: the experience of a performer
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Pondering/Theremin. Nostalgia and the art of traces
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On Tables
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The Desert of The Real
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‘C’est aussi beau que du Fauré.’ August De Boeck’s orchestral songs rediscovered
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Intersecting repertoire
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Graphic Design of Scheld’apen
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Conceptual, Performative, Pedagogical: How to Guide Individuals through Courses of Instructed Simple Action Here and Now as Sites for Framed Chance Interaction between Self and World towards a Truly Personal Body of Work of Art and Life
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Conditions for Raw Materials
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Tragedy and Levity: A Reconstructive Approach
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Creating the Artistic Identity
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Play(s) of Féminitude. The role of female artists in Belgian theatre history 1830-1948
Cultural work
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