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Belgium to Japan by foot
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Cripping the stage: from crip theory to crip practice
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Professionalising the (teaching) artist through process drama performances
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Studio Stadswaag
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Perspectives on time in the music by Stockhausen: the experience of a performer
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Pondering/Theremin. Nostalgia and the art of traces
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On Tables
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The Desert of The Real
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‘C’est aussi beau que du Fauré.’ August De Boeck’s orchestral songs rediscovered
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Intersecting repertoire
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Conceptual, Performative, Pedagogical: How to Guide Individuals through Courses of Instructed Simple Action Here and Now as Sites for Framed Chance Interaction between Self and World towards a Truly Personal Body of Work of Art and Life
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Conditions for Raw Materials
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Tragedy and Levity: A Reconstructive Approach
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Creating the Artistic Identity
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Play(s) of Féminitude. The role of female artists in Belgian theatre history 1830-1948
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Pas(s) Time
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Graphic Design of Scheld’apen
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When the artist swallows his image
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Moving towards Resilience: Joint creation through music and movement for local, refugee and immigrant children
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Cognitive Making. The recreation of procedures in the field of jewellery and gemstone cutting
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A Database of Schemata As a Starting Point For Historically Informed Improvisation and Composition
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Temporary Sonic Architecture
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The European Quartet of Keith Jarrett. The Journey Home
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Friction & Tension: Weaving With Choreography’s Troubles
Cultural work
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