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Form a Line into a Circle
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Performance Art: craft or amateur art? A game with the codes of the theatre and the museum
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VISI.ON.AIR (Vision analysis and substantive orientation of MAXlab, translated into a TV channel)
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Heterocultural Archival Sediments
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The Golden Record: de wisselwerking tussen theater, klank en filosoferen met kinderen
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TACTICS for a COLLECTIVE BODY
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Flamencology
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The Multiple, the absence of an original?
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Sound in Space – Space in Movement
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Clarifying vocal jazz: from insight to practice
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Scelsi Animated. Identifying the performer’s creative role through Giacinto Scelsi’s music and Animated Scores
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Taal leren als performance, performance als taal leren
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THE DATING PROJECT
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FRAMED / live animation drawing
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Transmitting the body
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Asymptotic Freedom
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De Organisatie als Kunstwerk
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Les doigts acrobatiques, la fantaisie libérée. The artistic playground in keyboard methods from the 19th century
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Contextual Conductor: Practical Case Studies and Presentations
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Stadsklanken XIX: De auditieve ecologie van het 19de-eeuwse Antwerpen
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Residencies@thinkingtools
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It Doesn’t Work
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GAP (Graff as project) - Artistic research on contemporary urban art in practice
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Perversiteit in perspectief