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'Plaude laetare’ (rejoice and sing): Zuid-Nederlandse kerkmuziek in de Gouden Eeuw
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De vocale religieuze composities van de allievo Domenico Cimarosa als compositieparadigma
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SOUNDVISION on stage
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La Grande Bouffe – challenges in performing musical comedy
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Photo/space
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Form a Line into a Circle
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Performance Art: craft or amateur art? A game with the codes of the theatre and the museum
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VISI.ON.AIR (Vision analysis and substantive orientation of MAXlab, translated into a TV channel)
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Heterocultural Archival Sediments
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The Golden Record: de wisselwerking tussen theater, klank en filosoferen met kinderen
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TACTICS for a COLLECTIVE BODY
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Flamencology
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The Multiple, the absence of an original?
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Extending Body and Material Reinvented
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The traditions of mandolin music in the regions of Crete and Athens
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Revising and Connecting Body and Material Reinvented
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Hearing a Culture: Integrating Sound and Environmental Elements of Braga's Festivities into new compositions
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Blurry scanning
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Empty Pages
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Time Labs
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Partisans of the real (PhD)
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The Hearing Glass: Synaesthetic Correspondences in The Musical Practice
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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KineMusical Performance – An artistic journey into creative multimodal improvisation