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Relational Creativity. The workshop as a space to build technical, social and creative relations
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Anthony Braxton's Tricentric Thought Unit Construct in Post War Western Art Music
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The medium is the memory, the support the souvenir
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100 years of surrealism
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Thinking Bodies in Dance. Somatic R.E.A.C.H. (research in electronic and algorithmic choreography)
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Dancing in the dark
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'Plaude laetare’ (rejoice and sing): Zuid-Nederlandse kerkmuziek in de Gouden Eeuw
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De vocale religieuze composities van de allievo Domenico Cimarosa als compositieparadigma
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SOUNDVISION on stage
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La Grande Bouffe – challenges in performing musical comedy
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Photo/space
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Form a Line into a Circle
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Performance Art: craft or amateur art? A game with the codes of the theatre and the museum
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VISI.ON.AIR (Vision analysis and substantive orientation of MAXlab, translated into a TV channel)
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Heterocultural Archival Sediments
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The Golden Record: de wisselwerking tussen theater, klank en filosoferen met kinderen
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TACTICS for a COLLECTIVE BODY
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Flamencology
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The Multiple, the absence of an original?
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Sound in Space – Space in Movement
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Clarifying vocal jazz: from insight to practice
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Scelsi Animated. Identifying the performer’s creative role through Giacinto Scelsi’s music and Animated Scores
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Taal leren als performance, performance als taal leren
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THE DATING PROJECT