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Perversiteit in perspectief
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‘Hier is de zanger met z’n stem en z’n verhaal’: de werkkamer van Wannes Van de Velde als artistiek labo
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Physicality in the performing arts: knowledge, creation, experience and transmission in times of lockdown
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The Body Text Body
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‘Aan den haard verhaald’. De vroege klaviermuziek van Peter Benoit (1834-1901) als ‘hoorpoëzie’
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Het transparante lichaam: over het oprechte lichaam in de actuele portretkunst
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Resisting repertoire. Strategieën voor een grotere genderbalans in repertoiretheater
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One space becoming another
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Extending Body and Material Reinvented
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The traditions of mandolin music in the regions of Crete and Athens
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Revising and Connecting Body and Material Reinvented
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Hearing a Culture: Integrating Sound and Environmental Elements of Braga's Festivities into new compositions
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Een onscherp aftasten
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Empty Pages
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Time Labs
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Sounding Equality - Investigating how contemporary composition can contribute as artistic activism for the rights of women and girls.
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Partisans of the real (PhD)
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The Hearing Glass: Synaesthetic Correspondences in The Musical Practice
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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KineMusical Performance – An artistic journey into creative multimodal improvisation
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Sounding Equality - Investigating how contemporary composition can contribute as artistic activism for the rights of women and girls.
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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Fenaroli’s pedagogische output
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Er staat een contrabas in de gang