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Performing Mesopotamian Magic
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FANTASIA
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Fair Games: Questions of Care in Curating New Music
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Theatre with the elderly – never too old to make a scene
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The desirability of difference
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Intersecting repertoire
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The European Quartet of Keith Jarrett. The Journey Home
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Professionalising the (teaching) artist through process drama performances
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Pamphilus pamfilet pamflet
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Cripping the stage: from crip theory to crip practice
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A Database of Schemata As a Starting Point For Historically Informed Improvisation and Composition
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Pondering/Theremin. Nostalgia and the art of traces
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Een saxofoonpionier in beeld: het uitvoeren van opdrachtwerken uit de vroege twintigste eeuw aan Sigurd Rascher
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Play(s) of Féminitude. The role of female artists in Belgian theatre history 1830-1948
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The Singer Inside Out
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(N)iets nieuws in theater?
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The Power of Rhythm in Jazz improvisation and composition
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Poverty; or, the new source of infinity. A Grotowski-inspired psycho-physical liberation from the musical score.
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Acting and normativity
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THE ART OF PRELUDING (1760-1850)
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A polyphonic conservatoire
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100 jaar surrealisme
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Taal leren als performance, performance als taal leren
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Clarifying vocal jazz: from insight to practice
Cultural work
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