Arpeggio in baroque piano literature
The auditive imagination
Towards a theory of musical texture
Dance Making: Exploring Through Reflective and Bodily Experiences
Inventing New Marimba Performance from the West African Balafon Music Practice
Endlich etwas wirklich neues
‘Blanton the (r)evolutionary’: A contextualization of Jimmie Blanton’s Jazz Bass playing
The voice as instrument / the instrument as voice
Painting in sounds