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To be(come): Theatrical co-creation empowering the voice of adolescents
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Electric Bodies: The infrastructures of medicine and technology
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rewind / remind / rewrite
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ECLIPS
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Auto-Destructieve Compositie: Uitwissing en Overblijfselen in Vergankelijke Posthumane Muziek
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Sensing Together: Co-Creative Strategies for Multisensory Musical Composition with Sensory Impairment Communities
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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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Fields Without Soil (Animal Letters from Liquid Agriculture)
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Un/Real bodies: An Exploration of Synthetic Embodiment
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The Embodied Interface: Assembling Alife systems for musical performance
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From Desire to Application Form: Dramaturgies of Justification in Contemporary Creation
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Brakke Praktijken: Sociale Organisatie in het Schelde Estuarium
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“Prix de l’image:” A Speculative Reenactment of the (Para)cinematic Imaginary
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Tam-Tam, de tumultueuze en muzikale geboorte van het surrealisme 1924-1936
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Quantum Crossing
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E̶a̶r̶l̶y̶ ̶M̶u̶s̶i̶c̶ / Performance Herw̶e̶r̶k̶t
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Object-Oriented Choreographies: Rethinking Agency and Materiality in Dance
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LIMEN: Signal Ecologies and Hybrid Actors in Dead-Zone Territories
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The Technological Republic
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De expansie van de dirigeerpraktijk via posthumane assemblage en artificiële intelligentie
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Witches, Bitches and the Scene (Vrouwelijke schurkerij – podiumstrategieën om gender en moraliteit te performen)
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Echoes of Heritage: Intercultural music exchange through network music co-creation
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Weekly Paintings
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Arbitraire intelligentie: Onwaarneembare vormen en uitgebreide muzikale coherentie in computermuziek