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The Double Bass as Algorithmic Improvisation System
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Brakke Praktijken: Sociale Organisatie in het Schelde Estuarium
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Object-Oriented Choreographies: Rethinking Agency and Materiality in Dance
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LIMEN: Signal Ecologies and Hybrid Actors in Dead-Zone Territories
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Flute concertos of Benoit and Hanssens in the spotlight
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Echoes of Heritage: Intercultural music exchange through network music co-creation
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To (be)come: Theatrical co-creation empowering the voice of adolescents
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Drawing Out: Marks, Machines, Material Worlds
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RAMEAU(x) — Improvising New Branches of Rameau’s music
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From Desire to Application Form: Dramaturgies of Justification in Contemporary Creation
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Guitar songs and the 19th century popular music culture
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Translating theory into theater: overflow of content shaping forms not yet born
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Electric Bodies: The infrastructures of medicine and technology
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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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999,9
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Reweaving Ourselves
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Entangled Rawness: navigeren door niet-lineaire creativiteit via de no-input mixer
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Intuïtief componeren in jazz: de integratie van belichaming en technologie in het compositieproces
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Spookachtige dramaturgieën: Migrantenverhalen vertellen via immersieve technologie in performance
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Harlekijn. Karel Albert, August Baeyens, Paul van Ostaijen en muzikaal modernisme in Vlaanderen (1918-1928)
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A Newer Narrative: Dancer´s Authorship through auto-fictional writing practice
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Who and what makes the academy garden?
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Subjectivity in Translation
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Vivid Tales
Culturele werking
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EVENEMENTEN / PROJECTEN / PUBLICATIES
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