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Personal Bubble
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Otolitalgia : a visual exploration in the furrows of time
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The (Never)-Ending Archive
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Landscapes of Recovery: The Role of Art in Ecological Restoration in War-Torn Ukraine
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Richtlijnen voor klaviercontinuo in 18e-eeuws Duitsland — Een online platform gebaseerd op historische bronnen
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Reweaving Ourselves
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Gestures of withdrawal: dramaturgies of refusal in performing arts
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ECHO - Embodied Counterpoint & Human-Machine Ontology. An exploration of AI training in piano performance and pedagogy
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NEO SEER: A Syncretic Animacy
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God Save the Queer(s)
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Crossroads in Creative Aging
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Performing the Public Body: Collectively Authored Participatory Performance, Democracy and Institutional Politics
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PercAI: A Generative AI Model for the West African Balafon Polyrhythm
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Constructed Landscape. Contemporary Forms of Social Realism
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Harlekijn. Karel Albert, August Baeyens, Paul van Ostaijen en muzikaal modernisme in Vlaanderen (1918-1928)
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A Newer Narrative: Dancer´s Authorship through auto-fictional writing practice
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Vivid Tales
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Silence... Een Kritische Interpretatie en Realisatie van Onvoltooide Werken van Wim Henderickx.
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Smashing the Myth of Absence: A Practice-Based Approach to Decolonizing Experimental Music – part 1: Composition and Improvisation in the ‘Creative Orchestra’
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Home, carried
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Mesopotamische Magie als Performance
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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
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Whispers of the Primeval Forest
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Hoe de schurk een goed voorbeeld werd